The Project

Setup
The performance features two traditional grand pianos: one played directly by the artist, the other equipped with a self-playing mechanism triggered by MIDI data. The MIDI data can be generated and varied in real-time via additional keyboards, controllers, and AI agents. The sound of the self-playing piano can be modulated in real-time through preparations of the piano. Extracted MIDI data can also be used to trigger a variety of virtual pianos and piano samples, as well as to produce a visualization of the music on a large-format screen. Optionally, the visualization can be hand-drawn and used as an alternate way to control the self-playing mechanism.

Performance
The result is a presentation that blurs the lines between composer, performer, and remixer; conductor and interpreter; improvisation and scripted performance. To destabilize these concepts even further, the set also includes AI technology used to manipulate MIDI and audio data. As a whole, the performance was designed to unfold with the fluidity and seamlessness of a DJ set. It moves across a broad spectrum of music, ranging from classical to experimental, through jazz, black midi, and all the way down to dance floor-friendly electronica. Because of the exploratory nature of the project and its modular design – one that could include more pianos, more players, and hypothetically could also be realized over distance using streaming technologies – at this point, the possibilities are endless, and the discovery potential is its greatest asset.

Roadmap
Dates
Date | Venue | City |
---|---|---|
2025 Sept 18 | Solo-Impro-Festival | Berlin |
2025 Auf 29 | Gesellschaftshaus | Magdeburg |
2025 Feb 27 | Kunstpalast | Düsseldorf |
2024 Nov 27 | Progr | Bern |
2024 October 27 | 3 Tage Neue Musik | Braunschweig |
2024 August 17 | Peitz Festival | |
2024 July 18* | 22. Bayreuther Klavierfestival | |
2024 June 29* | UpToThree Festival | Berlin |
2024 June 28 | Kiezsalon | Berlin |
20245 May 17–20 | Moers Festival |
* BLACK SPECTRAL MIDI
Collaboration with Ernst Surberg